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席隆路2巷的男人街(2006)

席隆路2巷的男人街

评分:5.1 / 地区:泰国/ 片长:90分钟 导演:Piya Rangsitienchai / 热度:2485℃
类型:剧情/同性/ 语言:泰语 编剧:
主演:
状态:DVD版更新:2018-10-28
影片别名:Silom Soi 2

席隆路2巷的男人街下载地址

席隆路2巷的男人街影评or剧照

两位男主的颜还是可以的,但是...这个狗血一样的剧情是怎么回事?这个基本上可以算是没有的配乐是怎么回事?要不要每一段来个英文字幕显示自己的高端洋气上档次?!除了海报还行,其他真的都不行

席隆路2巷的男人街剧照

面对难得的两位颜都尚可的男主这渣一样的剧情真是暴殄天物!用英文字母顺序给影片分段真的很反感了……

席隆路2巷的男人街剧照

烂片= =画面烂剧情烂演技烂 简直一无是处╮(╯_╰)╭

席隆路2巷的男人街剧照

还行,就是这样。字母安排有点文艺,内容普通。做母亲的很淡定。。。

席隆路2巷的男人街剧照

真的不怎么样,情节和演技糟糕不说,配乐才真的是烂透了!

席隆路2巷的男人街剧照

好费劲。故事的叙述手法有一种过犹不及的感觉。形式重于故事。

席隆路2巷的男人街剧照

就冲着男主的身材和脸蛋儿~ 剧情什么一塌糊涂

席隆路2巷的男人街剧照

其实是silom soi2之套套很重要。这片实在是太诡异了。。配乐时刻充斥着拒绝黄赌毒的范儿,光线冷硬,选角落差太大!!跟男人街关系不大 叫星巴克也行叫7-11也行。。太诡异了

席隆路2巷的男人街剧照

也许是故事有些老套,让人看了有些无趣。但还是有些东西值得留意的。原本幸福的一对,却没有逃过艾滋的魔爪。隐瞒真相是他爱他的体现,不离不弃是他爱他的证明。也许世上还有药物不能治愈的疾病,但是没有爱不能滋润的心灵。爱永远不会被疾病打败,爱是万能的药物,让生命得以延续,让生命得以绽放精彩

场面很诱惑,没有内核,一部有剧情没露点的G片。。

比想象中差很多,几句话加几个镜头的电影不如叫宣传片,何况镜头也不好看。

= = 很无聊的片子。剧情一点都不吸引人。

席隆路2巷的男人街完整版剧情介绍

Silom Soi 2, named after Bangkok's gay club district, is a sweet, if formulaic, cautionary tale about Thai love in the age of AIDS. Boy meets boy. Boy gets boy, i.e., gets him away from getting a lot of other boys. Boy settles down with boy. And then wild seeds, sewn and long forgotten, germinate into cruel thorns.
  The story unfolds through a series of brief scenes, each introduced with a single English word title, presented in alphabetic order (A-Art, B-Background, C-Click...). Why English chapter titles sequenced in Roman alphabetic order were used to organize a Thai language film is unclear! Perhaps the film was written with a foreign market in mind. Or these vignette titles may have been retrofitted for the English subtitled version.
  The leads are beautiful young men. Their pas de deux of attraction, flirtation, passion, hurt, distancing, re-engagement is endearing and believable. Direction occasionally errs in its use of over-lingering facial reaction shots that skew momentarily melodramatic. The original musical score is lovely and initially quite effective, though extensive repetition of key themes taxes them past their initial effectiveness. Possibly the greatest strength of the film is the melding of its cinematography and art direction, creating vivid images throughout the film, striking in their use of color, line and human form. Visual artfulness elevates this simple, sincerely conveyed story,